Magazine
A Public Space
No. 09
Politics and Pop: Brian T. Edwards on the making and censoring of art in Cairo; Antoine Wilson at Valhalla; Steve Powers's love letters; All the Best Stories Are True: a manifesto by David Shields; new fiction from T. C. Boyle, Danielle Evans, and Richard Powers; and poems by Derek Walcott, Idra Novey, Mary Jo Bang, and others.
Table of Contents
If You See Something
The Failure Bubble: It’s 1998 All Over Again
I hadn’t planned on publishing a novel about the consolations of failure just as the dot-com bubble was inflating and the startup money was beginning to scrub the city stupid block by block.
If You See Something
More Geese Than Swans: At Play in the Fields of Cinnabar
The American Legion’s club 432 holds a book sale every summer in the Veteran’s Memorial Hall in Cambria.
Fiction
Someone Ought to Tell Her There’s Nowhere to Go
Georgie knew before he left that Lanae would be fucking Kenny by the time he got back to Virginia.
Art
Love Letter
Love Letter is being painted from Forty-fifth Street to Sixty-third Street on the rooftops and walls of Market Street in West Philadelphia—fifty murals, created by Stephen Powers, who has done similar projects in Dublin and Belfast.
Documented by Zoe Strauss
Poetry
Two Poems
May my enemy be assuaged by these waves / because they are beautiful even to his evil
Poetry
Untitled
Through God’s grace / the little drops came down, and the spectacle / of human science blabbered on, just waiting / for something to witness up close.
Poetry
Windshield Wipers
Both of them hide something, / That is why they move in such harmony.
Translated from the Slovenian by Brian Henry
Poetry
Two Poems
dancing in the dark / just two double-spaced antelopes / falling into the idea that art / is somewhere out there in the woods
Poetry
In the Barracks: A Found Poem
They had been in the country only for a few days when the hills began pricking into the barracks (which once had been university classrooms) with sniper fire.
Poetry
The Ex-Cárcel of Valparaíso
And so it was agreed / the empty prison would be reopened / for festivals
Poetry
Lullaby on the Marsh
Slack at the end of the lasso’s loop / before the wrist is snapped / Shape of the wave underneath the wave / before the crescent topples over
Poetry
California Poem
What is needed is a recognizable molecule that carries the unstable / promise to the brain.
Poetry
A Bird Loose in the House
The frame—a grid—contrives a theater, / The specter of narrative: / A shadow play / Alive on a curtain alive with wind.
Poetry
The Last Word is Emma’s
The moment the anglers / pulled their net ashore / it broke, and when we / called you up, the line / was engaged.
Fiction
Anacapa
The boat left at eight a.m., and that wouldn’t have presented a problem, or not especially, if Damian hadn’t been in town.
Focus
Cairo 2010: After Kefaya—Brian T. Edwards Introduces the Next Generation
You are stuck in traffic in downtown Cairo.
Focus
Looks Like It’s Falling Apart: An Introduction
I am the son of the generation who got the shock of multimedia in my face after university.
Translation from the Arabic and annotations by Brian T. Edwards with Amina Mohamed
Focus
Beyond Paradise
Selma sat on the balcony of her father’s house reading Márquez’s Love in the Time of Cholera.
Translated from the Arabic by Paul Starkey
Focus
Bordering the Marvelous
Hilal had two memories of his childhood he could never forget.
Translated from the Arabic by Adam Talib
Focus
Ahmed Alaidy in Conversation with Ibrahim El Batout
Ibrahim El Batout has been shot twice.
Translated from the Arabic by Brian T. Edwards
Focus
In the Absolute
Oh dark day…What are all these entangled relationships I find myself in, which each day get more entangled than the day before…
Translated from the Arabic by Brian T. Edwards
Focus
The Parkour War
Morning... Like any filthy morning, people feeding off of other people...
Art by Magdy El Shafee and translated by Brian T. Edwards
Focus
Young Lover, New Lover
When she’d been there alone with the cat and it had bit her playfully, a shudder had run through her body.
Translated from the Arabic by Humphrey Davies
Feature
All the Best Stories Are True
These are the facts, my friend, and I must have faith in them.
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